I can’t sing. Or at least I can’t sing well, but I like to try to fit my approximately three-note range into songs. At church I lustily belt out all the hymns. The poor worshipers who sit in front of me don’t make that mistake twice. Lately, I’ve been flattering myself that my voice may have improved somewhat from all the church practice. I briefly considered taking a tape recorder along to see how melodiously and closely I’ve come to hitting the notes but decided I might not ever be brave enough to sing in public again after listening to the results. Better to believe you sound better than to prove decisively it’s not true. Especially now when the Christmas carol season approaches.
My sister has a great voice. She taught elementary school music for years in Missouri and loved it. She’s one of the few people I know who actually made a living at a job she enjoyed. She’s also always on call to provide the music for weddings and funerals, and she enlivens summer tours of her
historic hometown with folk songs from the Civil War. I’ve always been jealous. Why couldn’t the genes have been spread around a little better? To compensate, I learned to play the flute, self-taught, thanks to children’s band books my sister provided. Naturally, that method of instruction did not produce a great flautist, but I can play well enough (when I practice) to make music, which was my goal.
Not long ago, I complimented a young woman on a beautiful solo she’d sung at church. After bestowing kudos, I confided how I despaired of my own voice.
"I’m a terrible singer," I told her. "I sound like a frog."
"I love terrible singers," she replied.
She said she’d like to teach a class for people with horrible voices. That sounded like a great idea to me. I’ve often fantasized about taking lessons from a voice coach who would transform me into a singer of operatic rhapsodies.
I’m still waiting for her class, but in the meantime, I discovered "How to Sing in the Shower," a workshop taught by Cathleen Wilder at the
Dusty Strings studio in Fremont, according to
The Seattle Times. Wilder is a former opera singer who teaches a non-judgmental class on "reclaiming our birthright to sing." She instructs students in the basics from breathing techniques to the parts of the body that produce sound. The newspaper article mentions "resonating chambers." That struck a chord (no pun intended, of course) with me. I think I locate those chambers when I practice yoga to my beloved, ancient Misty Carey
Yoga to Go tapes. When I chant "sat nam" (spelling?) with the instructor, I feel the sound resonate through my chest and head.